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Commissions Invited
Cowfold, West Sussex
Paintings in Oils, Acrylics & Other Mediums
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In between commissions, Carole paints landscapes, seascapes, and botanicals in either a contemporary or a realistic style. She also paints semi-abstract landscape impressions inspired by caves, woodlands and forests.
Carole exhibits her work independently, in galleries and within groups and holds an open studio via the Horsham Artists Art Trail every year.
In 2021, Carole was interviewed at her home by the BBC and later featured on BBC South Today, talking about her participation in the ‘Portraits for NHS Heroes’ scheme via Instagram, where she painted a free portrait of an NHS doctor.
More of this can be seen on our news page: Portraits for NHS Heroes
I am a member of Horsham Artists and a member of The Association of Sussex Artists
Every year I photograph these beautiful honeysuckle flowers. I am fascinated by the shapes the petals create. I think the petals and stamens combined look like insects settling on the flowers. I particularly like the flowers when they are grouped together, partially over and some still in full bloom.
My art studio is based at home near Horsham, Sussex, so when I look out of the kitchen window in early summer and see them in flower, I dash out and photograph them. As an artist, my process is to draw and paint from life and then develop these drawings in my sketchbook into ideas for paintings and I have been studying these flowers for several years. It was only this year I developed a final composition. In this painting, I wanted to illuminate the colours and the beautiful shapes these flowers create.
I create the vibrant colours by building up very thin layers of oil paint so that the flowers glow. I have used yellow ochres to capture the flowers that are slowly fading and the newer flowers are the vibrant magentas and pinks.
Image Size: 42cm x 30cm 16.5″ x 11.8″
Art Medium: Oil on Board
Original Painting Price: £1,400
Limited Edition Prints: from £145
Commissions Invited
Horsham, West Sussex
Artist in Oils and Art Tutor
Exploring the hidden world of nature: flowers, plants and insects.
Please mention the Sussex Artists website
Email: art@claire-harrison.co.uk
Website: www.claire-harrison.co.uk
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
I am an artist based in Horsham, West Sussex, specialising in oil painting of flowers and insects, sharing my passion for nature and the environment with my followers and clients.
I was aged just three when I painted my very first watercolour. My mum went into the garden and said “choose a flower and let’s paint it”. I chose a purple flower, which for those who know me, I’m generally dressed in purple and turquoise, and my paintings are often of a similar palette!
Before the computer revolution, which now appears to consume most of our lives, I spent my childhood painting and illustrating my own stories in the garden. I loved flowers and plants and most of all growing things. I think it was because I followed my father around the garden with my miniature wheelbarrow. I helped out to the best of my ability and - although I doubt whether I actually did much helping - I was inspired by the bugs, grew mustard and cress from seed on the shed windowsill, and grew Asters in a terracotta pot!
I now have my own garden of course, where I grow lots of flowers - mostly those that are based on Daisy formations. These include Rudbeckias, Heleniums, Ox-Eye Daisies and of course a lot of wildflowers, Cornflowers, Corncockles, Geraniums and Teasel. Teasel is one of my favourites because of the wildlife it attracts, especially in Autumn, where I like to see the Goldfinches feeding, pulling the Teasels over as the seeds pour out.
Looking back in retrospect, I can see where all the influences in my artwork come from - my fascination with pattern, insects and flowers. They were all part of my childhood and what I loved to do.
The majority of my inspiration comes from the local Sussex landscape and my garden. Over the years it has become obvious that the seasons are moving. Spring comes earlier and earlier and Winters are extremely mild. I believe this is an indication of global warming and so many of the scientists and media provide us with information regarding this issue, on a global scale, but what is happening on our doorstep? What invertebrates and wildflowers are threatened and how does that impact on us?
As I write this, we are currently experiencing a heatwave and my crops this year are thriving because of the exceptionally low population of slugs and snails – a gardeners dream perhaps, but also an indication of pressure on the water supply, due to lack of rain. The scarcity of these unpopular molluscs also has an impact on the birds and mammals, such as hedge hogs and thrushes that feed upon them.
I started my “Art Seasonally” blog on my website, to start documenting and comparing the changes in the local climate in Sussex. I draw what I observe each week from life and these are not only for the project, but are also used as research and inspiration for my oil paintings. To read my “Art Seasonally” blog please visit my website.
I began my career in 2001 after graduating with a Fine Art degree, by hiring a local, large gallery space without any completed art works. I had 6 months before my opening, so I needed to create some work! A loan from the bank and a course on self-employment later, I launched my career and created 40 works to exhibit. These were photographic and digitally manipulated works, as I didn’t have a studio. From the success of this exhibition, which was featured in the local press and following an interview on the local radio station, the Director of The Farnham Maltings Arts Centre at my private view, offered me a studio space - and so my art career was born!
Since then, I have exhibited in the UK and abroad, in both solo and selected group shows and I have often been featured in both public and private collections. I sell to clients in several countries including the UK, China and Canada.
I am passionate about art, nature and the environment! I also enjoy sharing my enthusiasm and experience with the local community and I run courses at Guildford Institute and teach on a one-to-one basis.
I have been teaching art techniques, how to develop creativity and how to overcome creative block to children, amateurs and fellow artists for over 15 years. I have found that the artist and their creativity is still shrouded in mystery and thought of as a product of genetic fortune. However, like any other professional, I believe that being an artist is about hard work and practice, just like any other successful business owner or athlete, therefore, I started my “It’s All About Art” blog to try and demystify the creative process, to explain why I do what I do and how I do what I do, with the objective of de-mystifying the role of the artist and motivating all those art students out there.
So many students arrive at classes saying “I will never be an artist” or that they can’t be one, because they don’t have any talent. I believe that everyone can be taught the skill of drawing and painting, but some will ultimately have a natural flair for it. For those who want to become artists, all they need is the persistent drive and motivation to do hours of practice and work to create artworks, in whatever form that may take. “It’s All About Art” blog can be read on my website.
I am inspired by the landscape around me and much of my work is based upon the plants in my garden that I have nurtured from seed. I have never grown out of the wonder of plants appearing in bare earth. I encourage insects by tending a wild area of garden which grows many indigenous plants that have self-seeded from the local landscape.
My work consists of large brightly coloured oil paintings, highlighting the miniscule on a large scale. I am passionate about colour and emphasise those that I see, which are created by the changing light during the day. I want vivid colours to glow from the canvas, because I want to show that the tiny wildflower or bright beetle in a grass verge, is like a jewel amongst the undergrowth. I explore the miniature, miniscule and microscopic, of both the floral and insect world, and I will often attempt to crawl under the smallest wildflower and photograph from below as if I am an insect looking up. I am fascinated with camouflage, and I often hide insects within my work by using tone to conceal these little creatures. Just as you need to search to find minibeasts in a field, I want the audience to pause to find all the hidden dimensions in my work. This is because the bright colours are merely the surface; I want to combine both impact and detail.
I include a lot of texture in my work; I like the underlying surface to disrupt the outward appearance of the painting. It is a metaphor for the real landscape; we see calming rolling hills or ordered equally spaced trees. There is so much that we do not see, for example, the fragile intertwined relationships between all creatures in the ecosystem.
My fascination for patterns is shown in my intricate ink drawings and watercolours, where I often depict the many spirals found within the centre of daisy-like flowers. Having studied plants under a microscope for many years, I attempt to show that they are not all that we perceive; instead I draw the intricate detail from both the microscope and the naked eye. I want to show that nature, however small, is magnificent and important. Nature is not just a vista, or a landscape, it is the interdependent relationships between all creatures, flora and fauna. Nature is a perfectly ordered mechanism that we dismiss as an overgrown landscape full of creepy crawlies, where in fact it is a complex, beautiful ecosystem of each organism reliant upon another.
My artistic process is not straightforward; the subject comes from hours of drawing, observing and photographing flowers and in this painting, my model. These observed drawings are then developed in my sketchbook to create a composition that conveys the message I am trying to communicate. Many paintings take years to create because even when I know my composition, the painting technique is slow. Fine layers of oil are built up to create colours that glow.
This artwork is about humanity being a part of nature. Our impact upon the environment around us, directly affects us as a species. I have combined and camouflaged a person into the form of a sunflower. I want the flower to be seen initially, but as you look at the painting more closely, you will see the human form within it. Is the man consuming nature or is nature consuming us? Will our damage to the environment ultimately cause humanity’s extinction?
Image Size: 52cm x 39cm 20.5″ x 15″
Art Medium: Oil on Board
Original Painting Price: £1,800
Limited Edition Prints: from £145
Commissions Invited
Horsham, West Sussex
Artist in Oils and Art Tutor
Exploring the hidden world of nature: flowers, plants and insects.
Please mention the Sussex Artists website
Email: art@claire-harrison.co.uk
Website: www.claire-harrison.co.uk
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
I am an artist based in Horsham, West Sussex, specialising in oil painting of flowers and insects, sharing my passion for nature and the environment with my followers and clients.
I was aged just three when I painted my very first watercolour. My mum went into the garden and said “choose a flower and let’s paint it”. I chose a purple flower, which for those who know me, I’m generally dressed in purple and turquoise, and my paintings are often of a similar palette!
Before the computer revolution, which now appears to consume most of our lives, I spent my childhood painting and illustrating my own stories in the garden. I loved flowers and plants and most of all growing things. I think it was because I followed my father around the garden with my miniature wheelbarrow. I helped out to the best of my ability and - although I doubt whether I actually did much helping - I was inspired by the bugs, grew mustard and cress from seed on the shed windowsill, and grew Asters in a terracotta pot!
I now have my own garden of course, where I grow lots of flowers - mostly those that are based on Daisy formations. These include Rudbeckias, Heleniums, Ox-Eye Daisies and of course a lot of wildflowers, Cornflowers, Corncockles, Geraniums and Teasel. Teasel is one of my favourites because of the wildlife it attracts, especially in Autumn, where I like to see the Goldfinches feeding, pulling the Teasels over as the seeds pour out.
Looking back in retrospect, I can see where all the influences in my artwork come from - my fascination with pattern, insects and flowers. They were all part of my childhood and what I loved to do.
The majority of my inspiration comes from the local Sussex landscape and my garden. Over the years it has become obvious that the seasons are moving. Spring comes earlier and earlier and Winters are extremely mild. I believe this is an indication of global warming and so many of the scientists and media provide us with information regarding this issue, on a global scale, but what is happening on our doorstep? What invertebrates and wildflowers are threatened and how does that impact on us?
As I write this, we are currently experiencing a heatwave and my crops this year are thriving because of the exceptionally low population of slugs and snails – a gardeners dream perhaps, but also an indication of pressure on the water supply, due to lack of rain. The scarcity of these unpopular molluscs also has an impact on the birds and mammals, such as hedge hogs and thrushes that feed upon them.
I started my “Art Seasonally” blog on my website, to start documenting and comparing the changes in the local climate in Sussex. I draw what I observe each week from life and these are not only for the project, but are also used as research and inspiration for my oil paintings. To read my “Art Seasonally” blog please visit my website.
I began my career in 2001 after graduating with a Fine Art degree, by hiring a local, large gallery space without any completed art works. I had 6 months before my opening, so I needed to create some work! A loan from the bank and a course on self-employment later, I launched my career and created 40 works to exhibit. These were photographic and digitally manipulated works, as I didn’t have a studio. From the success of this exhibition, which was featured in the local press and following an interview on the local radio station, the Director of The Farnham Maltings Arts Centre at my private view, offered me a studio space - and so my art career was born!
Since then, I have exhibited in the UK and abroad, in both solo and selected group shows and I have often been featured in both public and private collections. I sell to clients in several countries including the UK, China and Canada.
I am passionate about art, nature and the environment! I also enjoy sharing my enthusiasm and experience with the local community and I run courses at Guildford Institute and teach on a one-to-one basis.
I have been teaching art techniques, how to develop creativity and how to overcome creative block to children, amateurs and fellow artists for over 15 years. I have found that the artist and their creativity is still shrouded in mystery and thought of as a product of genetic fortune. However, like any other professional, I believe that being an artist is about hard work and practice, just like any other successful business owner or athlete, therefore, I started my “It’s All About Art” blog to try and demystify the creative process, to explain why I do what I do and how I do what I do, with the objective of de-mystifying the role of the artist and motivating all those art students out there.
So many students arrive at classes saying “I will never be an artist” or that they can’t be one, because they don’t have any talent. I believe that everyone can be taught the skill of drawing and painting, but some will ultimately have a natural flair for it. For those who want to become artists, all they need is the persistent drive and motivation to do hours of practice and work to create artworks, in whatever form that may take. “It’s All About Art” blog can be read on my website.
I am inspired by the landscape around me and much of my work is based upon the plants in my garden that I have nurtured from seed. I have never grown out of the wonder of plants appearing in bare earth. I encourage insects by tending a wild area of garden which grows many indigenous plants that have self-seeded from the local landscape.
My work consists of large brightly coloured oil paintings, highlighting the miniscule on a large scale. I am passionate about colour and emphasise those that I see, which are created by the changing light during the day. I want vivid colours to glow from the canvas, because I want to show that the tiny wildflower or bright beetle in a grass verge, is like a jewel amongst the undergrowth. I explore the miniature, miniscule and microscopic, of both the floral and insect world, and I will often attempt to crawl under the smallest wildflower and photograph from below as if I am an insect looking up. I am fascinated with camouflage, and I often hide insects within my work by using tone to conceal these little creatures. Just as you need to search to find minibeasts in a field, I want the audience to pause to find all the hidden dimensions in my work. This is because the bright colours are merely the surface; I want to combine both impact and detail.
I include a lot of texture in my work; I like the underlying surface to disrupt the outward appearance of the painting. It is a metaphor for the real landscape; we see calming rolling hills or ordered equally spaced trees. There is so much that we do not see, for example, the fragile intertwined relationships between all creatures in the ecosystem.
My fascination for patterns is shown in my intricate ink drawings and watercolours, where I often depict the many spirals found within the centre of daisy-like flowers. Having studied plants under a microscope for many years, I attempt to show that they are not all that we perceive; instead I draw the intricate detail from both the microscope and the naked eye. I want to show that nature, however small, is magnificent and important. Nature is not just a vista, or a landscape, it is the interdependent relationships between all creatures, flora and fauna. Nature is a perfectly ordered mechanism that we dismiss as an overgrown landscape full of creepy crawlies, where in fact it is a complex, beautiful ecosystem of each organism reliant upon another.
The centre point of this painting is full of pale light, meaning that the person looking at the painting should look beyond the flowers into the distance. The Magnolias frame the landscape beyond and surrounding, that we cannot see, but know is there. The magnolias and bees are part of the landscape beyond and are a very important part of it. A pretty flower may seem insignificant, but it is a vital part of the ecosystem all around it. The bee is the clue to this; early flowering magnolias provide pollen for insects before the majority of flowers are in full bloom.
Image Size: 50cm x 50cm 19.5″ x 19.5″
Art Medium: Oil on Board
Original Painting Price: £1,975
Limited Edition Prints: from £145
Commissions Invited
Horsham, West Sussex
Artist in Oils and Art Tutor
Exploring the hidden world of nature: flowers, plants and insects.
Please mention the Sussex Artists website
Email: art@claire-harrison.co.uk
Website: www.claire-harrison.co.uk
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
I am an artist based in Horsham, West Sussex, specialising in oil painting of flowers and insects, sharing my passion for nature and the environment with my followers and clients.
I was aged just three when I painted my very first watercolour. My mum went into the garden and said “choose a flower and let’s paint it”. I chose a purple flower, which for those who know me, I’m generally dressed in purple and turquoise, and my paintings are often of a similar palette!
Before the computer revolution, which now appears to consume most of our lives, I spent my childhood painting and illustrating my own stories in the garden. I loved flowers and plants and most of all growing things. I think it was because I followed my father around the garden with my miniature wheelbarrow. I helped out to the best of my ability and - although I doubt whether I actually did much helping - I was inspired by the bugs, grew mustard and cress from seed on the shed windowsill, and grew Asters in a terracotta pot!
I now have my own garden of course, where I grow lots of flowers - mostly those that are based on Daisy formations. These include Rudbeckias, Heleniums, Ox-Eye Daisies and of course a lot of wildflowers, Cornflowers, Corncockles, Geraniums and Teasel. Teasel is one of my favourites because of the wildlife it attracts, especially in Autumn, where I like to see the Goldfinches feeding, pulling the Teasels over as the seeds pour out.
Looking back in retrospect, I can see where all the influences in my artwork come from - my fascination with pattern, insects and flowers. They were all part of my childhood and what I loved to do.
The majority of my inspiration comes from the local Sussex landscape and my garden. Over the years it has become obvious that the seasons are moving. Spring comes earlier and earlier and Winters are extremely mild. I believe this is an indication of global warming and so many of the scientists and media provide us with information regarding this issue, on a global scale, but what is happening on our doorstep? What invertebrates and wildflowers are threatened and how does that impact on us?
As I write this, we are currently experiencing a heatwave and my crops this year are thriving because of the exceptionally low population of slugs and snails – a gardeners dream perhaps, but also an indication of pressure on the water supply, due to lack of rain. The scarcity of these unpopular molluscs also has an impact on the birds and mammals, such as hedge hogs and thrushes that feed upon them.
I started my “Art Seasonally” blog on my website, to start documenting and comparing the changes in the local climate in Sussex. I draw what I observe each week from life and these are not only for the project, but are also used as research and inspiration for my oil paintings. To read my “Art Seasonally” blog please visit my website.
I began my career in 2001 after graduating with a Fine Art degree, by hiring a local, large gallery space without any completed art works. I had 6 months before my opening, so I needed to create some work! A loan from the bank and a course on self-employment later, I launched my career and created 40 works to exhibit. These were photographic and digitally manipulated works, as I didn’t have a studio. From the success of this exhibition, which was featured in the local press and following an interview on the local radio station, the Director of The Farnham Maltings Arts Centre at my private view, offered me a studio space - and so my art career was born!
Since then, I have exhibited in the UK and abroad, in both solo and selected group shows and I have often been featured in both public and private collections. I sell to clients in several countries including the UK, China and Canada.
I am passionate about art, nature and the environment! I also enjoy sharing my enthusiasm and experience with the local community and I run courses at Guildford Institute and teach on a one-to-one basis.
I have been teaching art techniques, how to develop creativity and how to overcome creative block to children, amateurs and fellow artists for over 15 years. I have found that the artist and their creativity is still shrouded in mystery and thought of as a product of genetic fortune. However, like any other professional, I believe that being an artist is about hard work and practice, just like any other successful business owner or athlete, therefore, I started my “It’s All About Art” blog to try and demystify the creative process, to explain why I do what I do and how I do what I do, with the objective of de-mystifying the role of the artist and motivating all those art students out there.
So many students arrive at classes saying “I will never be an artist” or that they can’t be one, because they don’t have any talent. I believe that everyone can be taught the skill of drawing and painting, but some will ultimately have a natural flair for it. For those who want to become artists, all they need is the persistent drive and motivation to do hours of practice and work to create artworks, in whatever form that may take. “It’s All About Art” blog can be read on my website.
I am inspired by the landscape around me and much of my work is based upon the plants in my garden that I have nurtured from seed. I have never grown out of the wonder of plants appearing in bare earth. I encourage insects by tending a wild area of garden which grows many indigenous plants that have self-seeded from the local landscape.
My work consists of large brightly coloured oil paintings, highlighting the miniscule on a large scale. I am passionate about colour and emphasise those that I see, which are created by the changing light during the day. I want vivid colours to glow from the canvas, because I want to show that the tiny wildflower or bright beetle in a grass verge, is like a jewel amongst the undergrowth. I explore the miniature, miniscule and microscopic, of both the floral and insect world, and I will often attempt to crawl under the smallest wildflower and photograph from below as if I am an insect looking up. I am fascinated with camouflage, and I often hide insects within my work by using tone to conceal these little creatures. Just as you need to search to find minibeasts in a field, I want the audience to pause to find all the hidden dimensions in my work. This is because the bright colours are merely the surface; I want to combine both impact and detail.
I include a lot of texture in my work; I like the underlying surface to disrupt the outward appearance of the painting. It is a metaphor for the real landscape; we see calming rolling hills or ordered equally spaced trees. There is so much that we do not see, for example, the fragile intertwined relationships between all creatures in the ecosystem.
My fascination for patterns is shown in my intricate ink drawings and watercolours, where I often depict the many spirals found within the centre of daisy-like flowers. Having studied plants under a microscope for many years, I attempt to show that they are not all that we perceive; instead I draw the intricate detail from both the microscope and the naked eye. I want to show that nature, however small, is magnificent and important. Nature is not just a vista, or a landscape, it is the interdependent relationships between all creatures, flora and fauna. Nature is a perfectly ordered mechanism that we dismiss as an overgrown landscape full of creepy crawlies, where in fact it is a complex, beautiful ecosystem of each organism reliant upon another.
My artist practice is all about watching the nature around me. I especially enjoy growing flowers in my garden in Sussex from seed and documenting their lifecycle. Each Autumn I like to watch the poppy seed heads decay as they leave behind the most beautiful structure. I like to imagine that these structures are a window into the world of nature. Through and beyond these decayed structures is a beautiful landscape.
I am trying to highlight that the tiny flower that is beautiful in summer and rots away in Autumn is all part of the ecosystem and the wider landscape beyond; that is why I have semi-camouflaged the seed heads into the background.
Image Size: 28cm x 28cm 11″ x 11″
Art Medium: Oil on Board
Original Painting Price: £1,100
Limited Edition Prints: from £145
Commissions Invited
Horsham, West Sussex
Artist in Oils and Art Tutor
Exploring the hidden world of nature: flowers, plants and insects.
Please mention the Sussex Artists website
Email: art@claire-harrison.co.uk
Website: www.claire-harrison.co.uk
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
I am an artist based in Horsham, West Sussex, specialising in oil painting of flowers and insects, sharing my passion for nature and the environment with my followers and clients.
I was aged just three when I painted my very first watercolour. My mum went into the garden and said “choose a flower and let’s paint it”. I chose a purple flower, which for those who know me, I’m generally dressed in purple and turquoise, and my paintings are often of a similar palette!
Before the computer revolution, which now appears to consume most of our lives, I spent my childhood painting and illustrating my own stories in the garden. I loved flowers and plants and most of all growing things. I think it was because I followed my father around the garden with my miniature wheelbarrow. I helped out to the best of my ability and - although I doubt whether I actually did much helping - I was inspired by the bugs, grew mustard and cress from seed on the shed windowsill, and grew Asters in a terracotta pot!
I now have my own garden of course, where I grow lots of flowers - mostly those that are based on Daisy formations. These include Rudbeckias, Heleniums, Ox-Eye Daisies and of course a lot of wildflowers, Cornflowers, Corncockles, Geraniums and Teasel. Teasel is one of my favourites because of the wildlife it attracts, especially in Autumn, where I like to see the Goldfinches feeding, pulling the Teasels over as the seeds pour out.
Looking back in retrospect, I can see where all the influences in my artwork come from - my fascination with pattern, insects and flowers. They were all part of my childhood and what I loved to do.
The majority of my inspiration comes from the local Sussex landscape and my garden. Over the years it has become obvious that the seasons are moving. Spring comes earlier and earlier and Winters are extremely mild. I believe this is an indication of global warming and so many of the scientists and media provide us with information regarding this issue, on a global scale, but what is happening on our doorstep? What invertebrates and wildflowers are threatened and how does that impact on us?
As I write this, we are currently experiencing a heatwave and my crops this year are thriving because of the exceptionally low population of slugs and snails – a gardeners dream perhaps, but also an indication of pressure on the water supply, due to lack of rain. The scarcity of these unpopular molluscs also has an impact on the birds and mammals, such as hedge hogs and thrushes that feed upon them.
I started my “Art Seasonally” blog on my website, to start documenting and comparing the changes in the local climate in Sussex. I draw what I observe each week from life and these are not only for the project, but are also used as research and inspiration for my oil paintings. To read my “Art Seasonally” blog please visit my website.
I began my career in 2001 after graduating with a Fine Art degree, by hiring a local, large gallery space without any completed art works. I had 6 months before my opening, so I needed to create some work! A loan from the bank and a course on self-employment later, I launched my career and created 40 works to exhibit. These were photographic and digitally manipulated works, as I didn’t have a studio. From the success of this exhibition, which was featured in the local press and following an interview on the local radio station, the Director of The Farnham Maltings Arts Centre at my private view, offered me a studio space - and so my art career was born!
Since then, I have exhibited in the UK and abroad, in both solo and selected group shows and I have often been featured in both public and private collections. I sell to clients in several countries including the UK, China and Canada.
I am passionate about art, nature and the environment! I also enjoy sharing my enthusiasm and experience with the local community and I run courses at Guildford Institute and teach on a one-to-one basis.
I have been teaching art techniques, how to develop creativity and how to overcome creative block to children, amateurs and fellow artists for over 15 years. I have found that the artist and their creativity is still shrouded in mystery and thought of as a product of genetic fortune. However, like any other professional, I believe that being an artist is about hard work and practice, just like any other successful business owner or athlete, therefore, I started my “It’s All About Art” blog to try and demystify the creative process, to explain why I do what I do and how I do what I do, with the objective of de-mystifying the role of the artist and motivating all those art students out there.
So many students arrive at classes saying “I will never be an artist” or that they can’t be one, because they don’t have any talent. I believe that everyone can be taught the skill of drawing and painting, but some will ultimately have a natural flair for it. For those who want to become artists, all they need is the persistent drive and motivation to do hours of practice and work to create artworks, in whatever form that may take. “It’s All About Art” blog can be read on my website.
I am inspired by the landscape around me and much of my work is based upon the plants in my garden that I have nurtured from seed. I have never grown out of the wonder of plants appearing in bare earth. I encourage insects by tending a wild area of garden which grows many indigenous plants that have self-seeded from the local landscape.
My work consists of large brightly coloured oil paintings, highlighting the miniscule on a large scale. I am passionate about colour and emphasise those that I see, which are created by the changing light during the day. I want vivid colours to glow from the canvas, because I want to show that the tiny wildflower or bright beetle in a grass verge, is like a jewel amongst the undergrowth. I explore the miniature, miniscule and microscopic, of both the floral and insect world, and I will often attempt to crawl under the smallest wildflower and photograph from below as if I am an insect looking up. I am fascinated with camouflage, and I often hide insects within my work by using tone to conceal these little creatures. Just as you need to search to find minibeasts in a field, I want the audience to pause to find all the hidden dimensions in my work. This is because the bright colours are merely the surface; I want to combine both impact and detail.
I include a lot of texture in my work; I like the underlying surface to disrupt the outward appearance of the painting. It is a metaphor for the real landscape; we see calming rolling hills or ordered equally spaced trees. There is so much that we do not see, for example, the fragile intertwined relationships between all creatures in the ecosystem.
My fascination for patterns is shown in my intricate ink drawings and watercolours, where I often depict the many spirals found within the centre of daisy-like flowers. Having studied plants under a microscope for many years, I attempt to show that they are not all that we perceive; instead I draw the intricate detail from both the microscope and the naked eye. I want to show that nature, however small, is magnificent and important. Nature is not just a vista, or a landscape, it is the interdependent relationships between all creatures, flora and fauna. Nature is a perfectly ordered mechanism that we dismiss as an overgrown landscape full of creepy crawlies, where in fact it is a complex, beautiful ecosystem of each organism reliant upon another.
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